Two
potters fell in love and decided to form Blue Sky Pottery to sell their pots. Each has an individual style.
Carmen now juggles a full-time job alongside his creative work. A graduate of the
Nova Scotia College of Art and Design, Dalrymple first worked as a production potter while living out West. He points out
that his work has continued to evolve over the years. “It takes a long time to hone your craft”, he says.
After returning to Nova Scotia, he enrolled
in an entrepreneurship course at Acadia University
and, from there, went on to establish Mud Creek Pottery in Wolfville.
While his original focus was on
creating pottery more functional in nature, he is now experimenting with works that are non-functional, such as clay sculptures,
mask and vases. He says a certain freedom comes with making that kind of switch, one that allows him to experiment with finishes
aside from the traditional glazing required on pottery designed for food and drink. He has also started working on a series
of sculptures most recently completing sculptures that are up to 28 inches high. “These are hollow pieces,
and they are very challenging to work on”, admits Dalrymple.
Elspeth graduated from Acadia University with a Bachelor of Arts Degree
with many Art History courses. Short one course from her Bachelor of Education Degree, she moved to Houston where she
received a Texas Teaching Certificate. Elspeth attended the Nova Scotia College of Art and Design University upon her return
to Nova Scotia.
Workshops with successful Canadian and United
States potters, attending school at the Nova Scotia College of Art and Design, continuing education, and teaching pottery,
all keep pottery magical for Elspeth.
One of Elspeth's specialties
is "Raku", originating as a Japanses firing technique, which has been Westernized in North America. This has evolved
for Elspeth into "horsehair Raku".
"Raku is exciting to produce.
It is dangerous. It is elemental. The interplay of earth, water, fire, smoke, wind and chance a Raku artist's dance", says
Ruth Apter.
Elspeth says that her pottery
is constantly evolving. Not one piece will be the same as she continues to change. Inspiration comes from everyday experiences
that influence the functionality of the clay, along with the importance of historical and cultural influences.